by Redah Baig | May 14, 2018 | CULTURE, FEATURED, Spring 2018
Ladylike featuring Jonathan Gutierrez: Waterworld Ain’t That Bad?
hosted by Redah Baig

On this episode of Ladylike Jonathan Gutierrez, an aspiring filmmaker, shares his challenges in the industry as a minority. He is the owner of Promark Pictures and hopes to use his platform to support minorities in the industry.
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by Redah Baig | Apr 25, 2018 | Clubs, ENTERTAINMENT, FEATURED, PROFILES, Spring 2018
Podcast: Graphic Literature Club
By Redah Baig

KPCRadio.com reporter Redah Baig discovers the ins and outs of Pierce’s graphic literature club.
Designed by Vecteezy
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by Redah Baig | Apr 10, 2018 | CULTURE, FEATURED, Spring 2018
“Ladylike” featuring Monica Montoya: Women in Action
Hosted by Redah Baig

With blockbusters like “Wonder Woman” and “Black Panther” crushing it at the box office, it is apparent that the motion for Hollywood to become more inclusive of women and people of color should be a ticket to success. However, there is still lingering hesitation of if big companies should take that leap. This episode of Ladylike features Monica Montoya who, along with the host, discusses the role of women in cinema, with emphasis on the action genre.
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by Redah Baig | Mar 5, 2018 | CULTURE, FEATURED, Spring 2018
Ladylike featuring Mickey Harrison: Hermoine was Definitely Black
Hosted by Redah Baig

The announcement of Harry Potter and The Cursed Child caused a great deal of anticipation inside the hearts of Potterheads across the globe. On this episode host Redah Baig interviews Pierce College’s very own Professor Mickey Harrison who’s known for teaching a “Harry Potter” based literature class. They’ll delve into discussing diversity in Pop culture.
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by Redah Baig | Feb 26, 2018 | CULTURE, FEATURED, Spring 2018
Ladylike featuring Maryam Khan: Feminist or Misogyny?
Hosted by Redah Baig

On the premiere episode of “Ladylike,” host Redah Baig discusses the Bollywood film “Padmaavat” by Sanjay Leela Bhansali, which caused a global controversy. Some praise the film, calling it a “feminist magnum opus” others believe it’s offensively chauvinistic, blatantly misogynistic, homophobic unapologetically anti-Muslim. Baig and Khan discuss both sides of the coin and what factors may have led to such an uproar surrounding the film.
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